Archive for category Books

The Creative Mystique

I’m writing this as a kind of response to my friend Mark’s blog entry about creativity, in which he wonders if the use of that word in a business context is making it into a buzzword (and therefore meaningless).

I take Mark’s point that the C-word is being carelessly thrown around in business (along with its more industrial sounding synonym, “innovation”). I don’t work in a suit and tie/MBA kind of business environment, so I am blissfully free of most current buzzwords, at least the ones that you find in that world.

I have however worked for a long time around corporate environments that have a marketing and advertising component, and a word that you will often see there is “Creative” with a capital C. As in, we have a Creative department. Need something creative done? Ask them. We’re going to get back to identifying new opportunities by leveraging synergies.

This has never made much sense to me, especially knowing as I do how little real creativity actually goes into most graphic design, advertising, copywriting, and other such work. Not that the people who work there aren’t talented artists- although some aren’t- it’s just that there usually isn’t time, money or interest in doing anything really original or interesting. Conversely, a great deal of creativity goes into many so-called executive or line of business activities, from developing a business plan in the first place to hiring and deploying staff or managing the finances (not to be confused with “creative accounting,” which is not desirable). What would you rather have- a Creative department, or a creative business culture?

So what is creativity, really? There is a cultural mystique around the term, associating it with some special, superhuman quality. We think of Pablo Picasso paying for meals with sketches, of Thelonius Monk playing a solo. We think “those guys are geniuses- I could never do that.” Well, maybe we can and maybe we can’t, but we probably won’t, because we don’t have the same passion and confidence that made those guys get to the level of proficiency that they had.

We romanticize painters and actors and musicians and other performers because they are doing what they do in public, and that requires a level of confidence that most of us do not have- an almost pathological certainty that what they do is awesome, and anyone who doesn’t get it is clueless. The truth is that painters and performers go through a process that most of us don’t with regard to their work: critique. In art school you make a painting, put it on display and the rest of the class tears it apart. You learn your strengths and weaknesses and develop a thick skin at the same time- or you quit. If you stick with it- if you do it because to not do it is like not breathing- that is passion. It is not something that only special people or geniuses have; everyone has passion for something. Just not necessarily the fine arts.


Mark also recently mentioned a book that I have used quite successfully called The Artist’s Way, by Julia Cameron. It is ostensibly about releasing one’s creativity through a series of strategies like affirmations and writing the morning pages, which I used to do before I started blogging; but the truth is that these exercises, and I’m guessing most creativity seminars, are in fact about building confidence. After all, it is hard to develop passion for a pursuit of any kind if you don’t have the confidence to try it in the first place, and stick with it until you feel like you know what you’re doing.

Art is often defined as anything that we produce which is not essential to our survival or reproduction. Many animals have the ability to create things that aid in both, like a beaver dam; but the ability to create things artfully, and/or for their own sake, is what we consider human.

So there you have it: creativity = confidence + passion, applied artfully to an area of interest. Creativity is universal, whether it is expressed in painting or acting or pro wrestling or parenting or cooking. Like having children or the five senses, it is an everyday miracle of our existence that we don’t appreciate until it seems that we are incapable of doing so.

Club Zero-G


I bought this graphic novel as a remainder with some other stuff from Chapters online; the author’s name, Douglas Rushkoff, was familiar to me but I cannot figure out how. His other books range from media studies to sort-of-religious comics and stuff about expanding your mind. Club Zero-G uses all of those motifs in its Matrix-esque tale of a college student named Zeke who dreams of a club where he sees many of his classmates and has deep conversations with them. He soon learns that the club is a real place, and that when he sees other people they are sharing the same dream, but unlike everyone else, Zeke can remember the club after he wakes up. Naturally, it’s because Zeke is Special! or something.

I could probably shrug and accept this rather unoriginal story were it not for the artwork by Montreal designer Steph Dumais. It’s just not my cup of tea- reminds me a fair bit of Bernie Mireault, but without the solid draftsmanship skills. There are scenes where the text shifts in size because the page was not laid out in a way to accommodate it all, and many pages where the layout just gets in the way. The artwork is very simplistic and broad, almost like graffiti; which would be fine if it were the only element telling the story. Graffiti with word balloons coming out of it just seems wrong somehow.

Chiggers


Hope Larson, an award winning cartoonist who got her start by serializing a comic called Salamander Dream on the web, has followed up with a couple of well-executed graphic novels. Chiggers is the latest, a coming of age tale about a tween girl called Abby who returns to her usual summer camp confronted with some new challenges: an older friend promoted to counsellor who no longer has time for her; a mysterious bunkmate named Shasta that no one else likes; and unexpected interest from a nerdy boy called Teal.

Larson does strong and confident work here, skillfully combining her words and pictures and design to create the best kind of comic- one that is more than the sum of its parts. The interactions between the young girls ring true, and Larson reinforces the summer camp setting with occasional documentary-style asides about how to make friendship bracelets or how to play a card game mentioned in the story.

Larson’s linework is also impressive, making good use of contrast and lighting to remind the reader of how it feels to be in an old cabin or a tent at night. She is also not afraid to add flourishes and embellishments and symbols to represent the wonder of the young girls’ world, however tough they may talk to each other.

While the natural repository of this book may be the high school library, good comics are good comics. Check out Chiggers if you get a chance.

The Tales of Beedle the Bard


The Tales of Beedle the Bard is the third in a series of slim supplements to the Harry Potter novels by J.K. Rowling. Like its predecessors about Quidditch and fantastic beasts, part of the proceeds from this charming collection go to a charity. This volume has an additional bonus for Potter fans in that it also ties in directly with the last novel, Harry Potter and the Deathly Hallows, in which the late Professor Dumbledore leaves a special copy of the Tales to Hermione Granger. The volume which we muggles can purchase is allegedly an updated translation by Hermione, with notes by Dumbledore.

Rowling provides five short fables herein, each of which holds a lesson for young witches and wizards: “The Wizard and the Hopping Pot,” which encourages wizards to use their powers to help others (even muggles); “The Fountain of Fair Fortune,” about the importance of believing in oneself; “The Warlock’s Hairy Heart,” a grim piece about selfishness; “Babbity Rabbity and the Cackling Stump,” an alleged explanation for why the open persecution of witches came to an end; and “The Tale of the Three Brothers,” which is the one about the deathly hallows.

Considering that J.K. Rowling could write pretty much any new Potter-related material and sell millions of copies, the Tales are a nicely polished and illustrated collection, with particularly amusing and welcome passages in Dumbledore’s voice. It would have been nice to see some evidence of Hermione too; maybe next time. Until then, this is a pleasant treat for Potter fans. If you are looking for something that will occupy your attention longer, I also recommend Stephen Fry’s excellent UK audiobook recordings of all 7 Potter books.

Tags:

The Real Serendipitous Kill


Hard to believe this 1964 gem is out of print. This British invasion classic is described as follows inside the front cover:

“Assistant D.A. Jeremiah X. Gibson finds himself at a Greenwich Village ‘Happening’. At these spontaneous demonstrations, anything goes – from cutting up a painting to a strip tease in reverse. But this time things go too far. When the darkened stage is once more flooded with light, Gibby discovers a corpse at his feet. He has just had a ringside seat at murder!”

A strip tease in reverse? Hot! Also, “Gibby?” Why do I get the feeling this was actually written by Barbara Cartland…? Other titles in the series included:

The Corpse Was No Bargain At All
The Kid Was Last Seen Hanging Ten
The Funniest Killer in Town

Sheesh. I mean, I hang ten every night but I don’t write a book about it. Hey-o! Tip your waitress!

The Bro Code (Audiobook)


What could be an amusing throwaway tie-in to CBS’ “How I Met Your Mother” is another amusing performance by Neil Patrick Harris, whose character is supposedly the author of this book about the unwritten code shared among horny single guys (one article of which states that the code can in fact be written if a bro stands to profit from it. :/ )

Anyway, this audio version is fun because, naturally, Harris reads it in character, which means over-emphasizing anything in title case, referring to a PDF of the diagrams and charts from the book, and recitations of “broetry”. The book itself is not really as funny as a typical episode of the show, but fans of the show will recognize references to the code and situations that have happened over the past few seasons, including the “lemon law” and the many guidelines for being a wingman.

Young bros be warned, however: while someone as awesome as Neil Patrick Harris can get away with this, you probably cannot. For the average young man, following the bro code will probably just make you more of a douchebag. (Points to own eyes, then to yours.)

If I Had A Million Onions


For twenty years, Sheree Fitch has been one of Canada’s great children’s authors, known particularly for her gift with nonsense rhymes and poems since the publication of Sleeping Dragons All Around and Toes in My Nose. Her latest collection, If I Had A Million Onions, is an outstanding collection that recalls the work of Edward Lear and Shel Silverstein by combining delightful rhyme structures with sometimes sobering moments. Like all great children’s books, it assumes that the young readers (and their parents) are real people who live in the real world, who sometimes want to be silly and sometimes want to figure out heavier matters.

The book is nicely illustrated by a Montreal artist called Yayo, and is currently available in hardcover. I recently read a copy to my 6-year-old son and we both enjoyed it a great deal. I actually went to grad school with Ms. Fitch when she was still living in the Maritimes, and am pleased to see that she is enjoying continued success; she also published a book for adults last year called Kiss the Joy As it Flies, and is working on a film adaptation of another book. Congratulations to her!

Tags: ,

Pride of Baghdad


Pride of Baghdad is a graphic novel by star writer Brian K. Vaughan and illustrator Niko Henrichon. It purports to be “based on a true story” insofar as a small group of lions escaped from the Baghdad zoo and were eventually killed by American soldiers during the early days of their invasion. The graphic novel itself is an exercise in speculation and personification, attributing each lion with a backstory and theme that progresses as they encounter a variety of other animals while trying to escape the city.

I don’t see the point of it, to be honest. This kind of thing was done well enough in books by Richard Adams (Watership Down, Traveller) and most famously by Orwell’s Animal Farm, but Vaughan’s story here is pretty banal compared to those classics. There is not much in it that makes it the story of lions, if that makes sense; it could have just as easily been the story of a human family. Perhaps that was the point. In any case it comes across as meandering and heavy-handed with the one or two messages that it does try to drive home.

The redeeming aspect of the book is Henrichon’s artwork, which is lush and brilliant, depicting the animals and their ruined city with a level of detail and emotion that I have not seen since Michael Zulli’s work on The Puma Blues. If you enjoyed that preachy but beautiful-looking series or Grant Morrison’s We3, you will probably enjoy Pride of Baghdad.

The Horror and the Hard-Boiled

There is a very sharp looking new series of classic horror novels collected by Penguin, including books by H.P. Lovecraft, Bram Stoker, Wilkie Collins, Ambrose Bierce, Edgar Allan Poe, etc. The series is called Red Classics and all sport an eerie yellow jacket design. I am a sucker for good book design, so I bought the Lovecraft and Collins for now and will probably get the rest someday.

Another fun-looking line of books is Hard Case Crime, which is publishing both classic and new hard boiled crime novels with the lurid pulp covers one would expect. Contemporary work includes stuff by Stephen King, David Schow, Roger Zelazny, Max Allan Collins, et al.

Comics: Added to the Reading List

Just got back from a trip to Halifax, where I was able to spend some time at my favourite comic shop, Strange Adventures. I took the opportunity to pick up the following:

- about a dozen volumes of Lone Wolf & Cub, which I have been meaning to finish reading for a while
- a bunch of back issues of Shade the Changing Man, Hellblazer, and some other stuff from the quarter bins
- Grant Morrison’s Sebastian O one-shot
- a couple issues of the new Clone Wars comic for Jack
- a New Frontier one-shot released to coincide with the recent DVD
- an old issue of “What If?” about the original Marvel bullpen being turned into the Fantastic Four
- the first issue of the Butternut Squash comic
- a French comic album
- a portfolio of Mark Schultz’ artwork (Xenozoic Tales)
- a signed copy of a book about drawing comics by Joe Kubert.

Mare got some stuff as well, including the last trade paperback of Joss Whedon’s Astonishing X-Men, some Minx books for school, and the first trade of Spider-Man Loves Mary Jane, which is very cute. I will comment on the rest as required.